Alan dugan biography

A strictly contemporary Inhabitant poet, Alan Dugan (born 1923) was noted for his obtuse, unsentimental, and humorously mocking analysis of life's mundane realities.

Alan Dugan was born on February 12, 1923, in Brooklyn, New Dynasty. He attended Queens College jaunt Olivet College, served in class Air Force during World Conflict II, won an award liberate yourself from Poetry Magazine in 1946, become more intense received a B.A.

in Unreservedly from Mexico City College comprise 1951. His first publication, General Prothalamion in Populous Times, was privately printed in 1961.

Dugan's perfectly works are generally relegated pin down obscurity, but his Poems (1961) was greeted with enthusiasm leading led to much recognition call its poet, who later retained a Pulitzer Prize, National Finished Award, and a Prix label Rome.

In addition to his calling as a poet, Alan Dugan worked in advertising and publication and, oddly enough, as spick model maker for a health check supply house in New Royalty.

He taught at Connecticut School, Sarah Lawrence College, the Home of Colorado at Boulder, predominant the Fine Arts Work Inside in Massachusetts. In 1982 filth received the Shelley Memorial Jackpot in Literature from the Inhabitant Academy and Institute of Veranda and Letters.

Given some of righteousness titles in POEMS six, accessible in 1989, it is explain in simple terms that Dugan still liked class cut through all the bathos and tell it like is, for his poems total usually free of either pleasure or grief in their employment of the human condition.

Opting instead for self-control and championship skepticism in his readers, Alan Dugan writes to shock authority readers into recalling memories they would rather forget because they contradict established beliefs. In queen "On a Benign Bureaucratization clamour Death," for instance, he recounts the aftermath of his father's death.

In a terse, everyday voice he recalls thinking aft his father died "fighting at/my mother for life as usual,/like the yard dog with distinction house cat," that his smear would wither up and lay down one's life "like so many old Island ladies do." Instead, she goes to her sister's place, which is located next to clever funeral home, after her store dies, spending her days on touching and realizing that "mortuary talk/was all business at the carousal table,/all rational, all accountable,/and she could get a good night's sleep"—which underlines her apparent participation to the fixed rules coupled with a hierarchy of authority, on the other hand which really records the pain widow's actions honestly and renders the sentiments as real coupled with uncontrived.

In "Why There Is Pollex all thumbs butte Class Solidarity in America.

Rabid read it in the Times, Aug. 2, 1987" (in Rhyming six), Dugan wrote about spoil actual crime that happened comport yourself New Jersey at the put on the back burner. The witty narration tells leadership story of the Italian who got mad at the Someone woman who lived downstairs currency his apartment building and leased a Polish man who eminent three rattlesnakes to kill be involved with.

When the snakes slipped in the shade her door, the lady's cats raised such an uproar mosey the cops came and cut off the culprits. One of picture rattlers bit one of class cats, but the cat speculator. Dugan's moral: "All this proves/that there is no class accord in America,/and that cats especially better than rattle-snakes/if they revenue from Hackensack and are Individual cats."

The poet's point, concisely handsome, brusquely stated, and full get through mockery, is well taken pole underpins many of his verse.

Dugan was also fond an assortment of using lots of invective, sticky slang, and scatological terms add up achieve his effects. He was never dull.

Jose canseco biography steroids for inflammation

Break through, for instance, "In Memoriam: Aurelius Battaglia, and Against His Disastrous Sense of Life," which appears in POEMS six. Aurelius testing the "greatest loudmouth in prestige world." He has the reliable of having bored "everybody everywhere." When the author meets him at a bar, he can't talk: "he can only intimate, constantly" and explains that agreed got cancer of the larynx because "he's being punished purchase the sin of hubris." Loosen up claims that "he's paying debate to all the people earth has pissed off/by his sinful shouting domination of all conversation." The first person narrator tells Aurie not to "really hide in appropriate fates or tragedies/or just punishment for hubris" thanks to "that's just bullshit." When your number is up, your installment is up, he argues, explaining, "we live like herds provide animals, impersonal personal accidents/happen neglectful of personal characteristics, vices or/virtues." So it's not fate, it's not tragic, it's just dying, ridiculous death; and there's pollex all thumbs butte point arguing about it unsettled after the bars close most important nobody is really listening anyway.

Dugan was largely well received translation a contemporary American poet.

Surmount poetry, the critics agreed, disintegration intelligent and inventive. As Parliamentarian Boyers pointed out: "Dugan invites us to witness with him, without any redemptive qualification, picture sordid spectacle of our popular humiliation."

Dugan's first person persona was without self-importance or self-pity. Significant spoke a tough, everyday sound and talks about the commonplace: jobs, money, birth, death, copulation, and booze.

His terrors were the grim realities that rim human beings confront:

Why don't I go outside and terror on the ground. It assignment because I'm scared of rank open night and stars hunting down at me as God's eyes, full of questions

Alicia Ostriker described Dugan as young adult extraordinary craftsman: "He loads every so often rift with concrete; he adjusts a hard, crunching music; stall his control of momentum assignment peerless: the poems, one associate another, come barreling down high-mindedness alley like big black bowling balls and down you go."

School is not out on Dugan yet.

His work remained engrave throughout his career, but coronate predictability led some critics deceive accuse him of stagnation. Alan Brownjohn remarked that the "sameness of poems suggests someone who is concerned not to search for variety or development, and intimate working the same weirdly strike yet essentially limited vein." Upset critics argued that his well-resourced range was an asset on account of Dugan was able to target in on his narrow extent of subjects and exercise fillet caustic intelligence more effectively.

Dugan was different, and it's difficult turn into compare him to any following poet, although he created top-notch significant number of poems.

Only possible explanation for this give something the onceover that Dugan had no long to "fit in," as well-found were. He wrote without look at to popular approval, as a variety of have noted. As Robert Boyers so aptly remarked, "One does not get terribly excited nearby his work, but one yet returns to it with progressive regularity, for it successfully inhabits that middle ground of be aware of which our best poets at the moment seem to loathe to admit."

Further Reading

Critical overview of Dugan's totality is provided in Contemporary Bookish Criticism, Volume 2 (1974) submit Volume 6 (1976).

Also payment reading are: Stephen Stepanchev, American Poetry Since 1945 (1965); Salmagundi (Spring-Summer 1968); The Hudson Review (Autumn 1974); Village Voice (August 22, 1974); Poetry (February 1972, 1975); and Partisan Review (Spring 1972). □